However, since architecture is subject to use, atmosphere is by no means a merely individual task. The experience of atmospheric quality in architecture, then, is by definition an embodied experience.
Pallasmaa argues that atmosphere is immediately experienced as a unity, in which all senses are simultaneously at work. Concerning the role of the architect, Pallasmaa identifies a need for a certain balance between naivety and expertise to develop a sensibility for atmospheres. Depth.In this interview with OASE Juhani Pallasmaa discusses how atmospheres are constructed in, for instance, painting, literature and music, adjoining professional fields that, according to him, also reveal the essences of the field of architecture. Where and how did the light feel? Where were the shadows? Were the surfaces dull or did they sparkle. The Light on Things: The actual appearance of things, what the light it like. When does a door become a window? What do I what to see, who do I want to see me?ĩ. And suddenly there’s an interior and an exterior….thresholds. Tension Between Interior and Exterior: The way architecture takes a bit of the globe and constructs a tiny box of it. *Architecture is a spatial art and it is a temporal art.Ĩ. Between Composure and Seduction: It has to do with the way architecture involves movement. It too provides a certain sense, a feeling…ħ. Surrounding Objects: I’m impressed by the things that people keep around them. It’s in what I see, what I feel, what I touch, even with my feet.Ħ. The Temperature of Space: Temperature is physical and psychological too. That has to do with the shape peculiar to each roomand with the surfaces of the materials they contain and the way those materials have been applied.ĥ.
Interiors are like large instruments, collecting sound, amplifying it, transmitting it elsewhere. Material Compatibility: A certain amount of oak and a different amount of tufa and then add something else. That is the greatest secret in architecture, that it collects different things from the world, different materials and combines them to create a space. Sitting in a barn with rows of beams as they turn and are covered.
The Body of Architecture: The material presence of things in a piece of architecture, its frame.
“We perceive atmosphere through our emotional sensibility – a form of perception that works in credibly quickly and which we humans evidently need to help us survive”.Ģ.
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